Myth in Progress
Upgrading the Fallen Goddess Scenario
In the following linear sequence, I indicate upgrades of the Sophianic narrative of the Mysteries, topic by topic and theme by theme. As explained in NB #58, FGS 1.0 is the restored version of the sacred narrative drawn from received materials, Greek and Coptic sources, polemics of the Church Fathers, Hermetic literature, and supporting elements in comparative mythology. No factor of the story is novel (that is, added from outside the original sources) or amplified in FGS 1.0, apart from the localization of the Anthropic plasm in M 42, the Orion Nebula. This inclusion is fully covered in the briefing.
Archontic simulation of travel to M 42. Note: at the beginning of this clip you are looking down the third arm of the Milky Way. where you see the constellation of Orion hanging off the limb. That is the direction in which the galactic arms unwind and dissipate, opposite the direction of movement "upsteam" of the solar system. The Pleiades (Pleromic Relay spindle) is located across the limb, on the other side or outer edge. The principal star formation within the Orion Nebula is the trapezium, not noted specifically in this clip.
Danny Wilten - seeing animations rather than the using power of animation, and other problems. Do his quasi-hallucinations discredit interest in M 42 as related to the Sophianic mythos? If so, is this intentional disinfo? I suspect so. Seeing "body parts" in the sky is NOT the way to view M 42!!! Notice how the talk, which I find extremely irritating, does not respond to the title, it does not reveal "the templates to life on earth," unless you consider that the template will resemble floating eyes, body parts, animals, vertebrae.
FGS 2.0 presents new elements added to the narrative in the course of the GNE, ongoing from July 2011.
FGS 3.0 presents elements added to the narrative from the spring of 2012 to the current moment, including the paramount event of Pleromic Relay. The disclosure of the material archetype produced by human imagination, Mephisto, marks a transitional phase-over from FGS 3.0 into 4.0. The GNE is currently progressing into that transition.
FGS 4.0 is the version of the narrative due to develop by spring 2014, corresponding to the completion of the initial conditions of correction, including the decisive event: Sophia's attainment of her tulpa, the Kali-Kalki avatar.
The Fallen Goddess Scenario is a myth in progress. On that account, it is unique in the inventory of world mythology, incomparable to any other scenario. Not only is the story-arc, comprising cosmogenesis (world creation) and anthropogenesis (human creation), more complete and coherent than any other myth, The FGS carries a future option to be realized through human involvement. Participation mystique -- the term proposed by French anthropologist Lucien Levi-Bruhl, not to be confused with Levi-Strauss -- is the norm for imaginative enactment of narrative in the human species. The story arc of the FGS directs human imagination in a way no other plot can do. As I said, it routes NLP to source, this living earth, right before your eyes. Other creation myths refer the human mind to off-planet dieties.
The telestai of the Mysteries who developed the FGS and transmitted it faithfully through many generations did not traffic in prophecy. To the telestai, the event of correction was not a sure thing preordained to happen at some time in the future, viewed from their time and setting. Those initiated seers anticipated correction as a supernatural event in the life-cycle of the Aeon Sophia, they did not predict it as divinely orchestrated in advance. With the restoration of the sacred narrative, we are now able to realize what they saw, and something more as well: how the Aeon Sophia, materially immanent in this planet, requires a measure of human participation (mystique) to achieve her correction -- specifically, to deploy her tulpa, the Kalki-Kali avatar.
Unlike prophecy, to which the human animal is a passive witness submitting to the superior will of the diety, participation in Sophia's Correction is an act of imagination achieved through the very powers of imagination described in her story, and guided by that story. It cannot be achieved otherwise. The power of human imagination is equivalent to a fire hose in the hands of a four-year-old child. To handle this force, the human animal needs the support and guidence of supernatural powers based in the source of that force, i.e., Sophia and her infernal goddess powers. The support of the earth, accessed by the instrumentation of the Shakti Cluster, is like a turret or mounting device that holds the fire hose so that one person can manage it.
Let's note once again how the central riddle of correction generates a series of questions that prompt human imagination. With each prompt leading to new insight and improved recall of our remote past on this planet, we achieve another degree of participation with the Wisdom Goddess. For instance, the riddle generates this question:
Well, the myth itself already answers this question in one respect. In Episode 6, FGS 1.0 follows the surviving textual sources (in particular, On the Origin of the World), relating how the Aeon Sophia, acting outside the Pleroma, modified the original calibration of the Anthropos by infusing it with the luminous epinoia for the specific purpose of providing a faculty to be used to defeat the Archons:
Two other, closely related passages contain rare references to the concept of correction, diorthosis, without using that exact noun:
You find the occurence of the full noun in A Valentinian Exposition, NHC XI, 2 : 33, 26-31:
We can place these events in Episode 6, by far the most complex of the total nine.
On the Origin of the World (passage 102) also describes a monumental cosmic event in the pre-terrestrial phase:
Hence, the first Archontic cosmos (stereoma) collapsed due to structural failure... I would place this event in Episode 5. Then in Episode 6, the Aeon Sophia, now supported by the assistance of the mother star Sabaoth, took measures for another Archontic cosmos to arise including a planet that would stabilize the structural and dynamic properties of the entire system: "Since that day, the heaven [of the Archons], along with its earth [the planet to be supplied by Sophia] has consolidated itself through Sophia, the daughter of Yaldabaoth, she who is below [at the source of] them all" (Ibid, passage 103).
Elsewhere, Sophia is called the "mother" of Yaldabaoth and the Archons. She cannot be both their mother and daughter, and most certainly is not the latter. So I would make that line out to be a scribal error, such as anyone could easily make in rapid, stressed transcription of oral discourse. Confusion of references to son and daughter run through the Coptic materials.
Detail: At first Sophia is in the Sixth, Mystery jargon for the first hexagonally structured Archontic cosmos centered on saturn (see below). Note today the mysterious occurence of a massive hexagonal structure on saturn, the remarkable northern hexagon. Later, following the construction of the second Archontic cosmos, she is in the Ninth, code term for the earth-realm, the terrestrial realm.
The nine heavens in a revised framework adapted for evolving the FGS:
Now, somewhere between Episodes 5 and 6, the FGS relates the collapse of the first Archontic heaven and the provision for a second one. These provisions are met in Episode 6 with the support of Sabaoth, the mother star, providing a dwellpoint and other dynamic features essential to a stable planetary system. FGS 3.0 adds some detail here, describing how the first Archontic stereoma (virtual world constructed of real material in the dema) had what was to become saturn at the center, hence, a saturn-centered cosmos. Encircling it and defining the boundaries of the system would have been the massive ring of Sophia's Organic Light: Tiamat-Uroboros.
When that structure collapsed, Sophia and Sabaoth supplied the foundation for a second Archontic cosmos with two centers, the sun and the emergent earth -- hence two dwellpoints, seen now in the elliptical form of planetary orbits. In the second cosmos, which developed into the solar system as known today, saturn formed the bounding orbit, not the center.
(It may be worthwhile to note, in passing, that plasma cosmologists appear to be dreaming atavistically and attempting to recall the first, saturn-centered world system which they picture as an axial arrangement of proto-planetary bodies with saturn uppermost in the formation. In Hamlet's Mill, Santillana and von Dechend dabble with the same notion, drawing upon the Platonic fable of a initial moment is cosmic time when all the planets were aligned. But "aligned" ought not be taken in the lliteral sense of a straight line, extending out from the sun. The "alignment" of the saturn-centered cosmos was an axial/ring arrangement with saturn holding the axial shaft and the planets around around the shaft in a conical array of rings -- if you can picture that.
Bear in mind that Episodes 1 through 6 of the total nine describe events that occurred before the Aeon Sophia terrestrialized. Thus, two-thirds of the narrative is cosmological, or cosmogonic, describing the creation of a cosmos, and anthropogenic, describing the origin of the human species, before either the earth or humanity on earth appeared. No other "creation myth," and indeed, no other presumed scientific cosmology is as vast in scope or as rich in detailed action as the FGS. This myth in progress is the precious birthright of humanity. Its power to direct human experience is proven, I would say, by the ferocity and duration of the attempts to destroy it undertaken by demented human animals who wish to play god and direct human experience to fit their agenda. For future reference, I cite two events in human history that demonstrate the assault against the Sophianic myth of the Mysteries:
First, the Christian attack on the Mysteries which ensued for centuries from 150 CE right up to the Inquisition, the Witch Trials, etc. The measure of this immense and long-term effort in material destruction, human and cultural genocide, and repression of indigenous genius, is also the measure of what the power of was under attack.
Even more dramatic, to my mind, is a second, more recent instance: the hijacking of Russian Revolution by Jewish Bolshiveks, leading into the Salinist era, the Ukranian genocide, the GULAG, etc, a spectacular rampage of murder, torture and terror that took probably 60-80 million lives. Not to mention the "repetition compulsion" of Bolshivek communist ideology in China where Maoism racked up bodies in equal quantities. The essential thing to understand about the Russian Revolution is that a people's revolt against the Czarist regime never got off the ground because it was co-opted by Jewish psychopaths whose rampage of murder and torture reflects lethal aggression against something feared above all else -- namely, the resurgence of the Sophianic vision and the return of the Mysteries of the living earth, including human interactivity with the earth goddess. Look at what had to be done to resist that resurgence and defeat "the return of the repressed," and consider that the measure of the force resisted can be inferred from the scope and intensity of what was directed against it.
The Sophianic vision story is the most dangerous idea on the planet. Dangerous, that is, to those human animals locked into the madness of believing they can possess and control the planet and dominate all that lives upon it.
"For Yahweh your God will bless you, as he promised you: and you shall lend to many nations, but you shall not borrow; and you shall have dominion over many nations, but they shall not have dominion over you." Deuteronomy 15:6.
HIGHLIGHT: two crucial realizations at this point in the GNE:
So, to run through the episodes:
Episode 1: In the Galactic Core -- no upgrade, so far.
Episode 2: A Singularity Encoded
Episode 3: Projecting the Anthropos
Episode 4: Cosmic Power Surge -- concludes with Sophia's Plunge
Episode 5: Archontic Cosmos -- So long and complex!!!
Episode 7: The Living Planet
"Like Dreamtime Ancestors described and invoked in Aboriginal songlines, the primordial earth women emerged from the inchoate torso of the planetary mass and gave form to the land. Rockborn goddesses were the most archaic forms of the Sidhe (primordial Gaian women, Celtic idiom), remembered in rare words like Rhea, “flowing from rock,” Lakhamu, "earth serpent," and Louhi, "the heavy hag." And, of course, Gaia, the mother planet itself. The Sidhe only emerged into independent form when the planet became fully porous, Sophia having infused the residue of her high-porosity radiance into the physical elements. Her surrender to becomng a planet spontaneously generated the Sidhe from the sheared template, like mushrooms from a membrane of mycelium."
Consequently, processes and creatures that arise in the biosphere, including human animals, exhibit initially a strong female bias: at first, only women of the human species appear on earth. And for long afterwards, the female bias operates flagrantly and pervasively in many, many ways. All human animals are initially produced as females within the female body. Other biological processes exhibit the female bias... Likewise, throughout the terrestrial habitat non-human animal behavior displays an undeniable emphasis on the role of the female of the species. For instance, with many of the great felines the mother is left alone to raise her young ones, her pride. Clearly, the female of many species carries an unequal burden in reproductive processes and the care of progeny. Only in rare instances, such as Antarctic penguins, do you see any attempt to compensate for this imbalance.
Feline life in particular often involves a "single mother" event, and the earth, the planetary animal mother, is a one-parent planet. The Anthropos is her "pride".
Bear in mind, as well, that at the moment Sophia comes to be fully terrestrialized, the planetary organism was not like it is today. The specific oceans were not yet formed, nor where there any distinct continents. The first atmosphere was devoid of oxygen, which did not appear until the eruption of cynobacteria (blue green algae). Considering this event, and placing it somewhere in Episode 7, we may finally connect the Sophianic cosmological sequence with the known or supposed narrative of terrestrial evolution. Let's say, simply for the sake of a framework in which to develop the story, we accept the current geological timeline. I would set the initial moment to 4,320 billion years, as explained in the essay on the age of the earth -- an eccentric calculation, computed in Geons.
Now take a deep breath and consider this: I can now present the "further calculations" promised in that essay of November 2005:
"The ultimate purpose of this eccentric calculation was to convert the geological timeframe into Gaian time. This done, we can look at how the Earth has evolved by analogy to the well-known stages of human development: birth, infancy, pre-puberty, puberty, adolescence, adulthood. Gaiology, as it might be called, is developmental psychology applied to the frame of geological ages.
In a companion essay to follow this one, I will sketch Gaiological development by correlating more key events in the standard geological timeframe, including periodic extinctions, to moments in Gaia's lifespan, considered in her own time."
Considered in her own time, the current age of the mother planet is about 23 years old. Gaia is autistic, prodigiously gifted with creative and esthetic talents, and virginal, producing her progeny independent of mitotic conjugation with another planetary organism. Nobody fucks with Gaia, or fucks Gaia. Imagine a stunning, brilliantly talented, autistic woman in her early twenties, suffering from retarded pubescence. That's your heavenly mother!
Now, you have to come forward from the initial moment, 4320 billion years ago, down to the Cambrian Age, placed around 585-550 MYA (millions of years ago) to reach the moment when Gaia begins to produce anything resembling life as we know it today, including human life. The Cambrian Explosion would be the decisive event that marks the transition from Episode 7 to Episode 8.
Episode 8: The Christic Intercession
For provisional development of the narrative, let's propose that when Episode 7 begins, Sophia has not yet produced the first extrusions of Gaian women in arboreal form. It may be that she cannot support the spore-like emergence of the Anthropic plasm, stripped of its male-gendering components, as long as she must be engaged with the rampant diversity of life in the biosphere, including earth, water, and sky.
Again, I advise following the conventional geological timeline, not because it is correct, but for its value as a mnemonic device to manage the overarching narrative, extending as it does vastly beyond human conception. Consistent with that timeline, meiotic sexual reproduction would have begun in the proterozoic phase of the Precambrian era (Episode 7, and transitional into 8). By this account, the earliest multicellular animals (ediacara fauna) appear in the primordial sea. Among these critters there may have been tuberous sea vegetables that present the initial spawn of the Anthropos plasm. Those tubers that remained in the ocean could have developed into sea creatuses such as eels and squid or fish-life of various kinds ancestral to the first aquatic women, mermaids, and dolphin-type amphibians. Some tubers that washed to earth or mutated into succulent-like amphibious plants that would eventually have assumed rooting forms from which the arboreal nymphs developed.
The Descent of Woman (1971) by Elaine Morgan presents a somewhat credible scenario of the evolution of humankind from a dolphin or mermaid-like female species -- crudely called the aquatic ape hypothesis.
At the start of Episode 7, Sophia now in full material immanence reaches the dawn of the Palaeozoic Era, marked by the Cambrian Explosion: 585 - 550 MYA. Just preceding the explosion, Sophia would have found herself in great distress, unable to manage the proliferation of life-processes on the ground, in the sea, and in the air. But immediately with the Explosion, shellfish and corals attain viability in the oceans. Also, she stabilizes organisms with primitive skeletal frameworks, sketchy but survivable body-plans. Is this due to effects of the Christic Intercession?
As I have noted, the association of Christ/Christos with fishes comes from the arcane science of the Mystery cells whose seers were able to detect that the early vertebrate fishes (notably Astrapsis) appear in the immediate wake of the Explosion, timed to the Christic intercession.
Later, some of the Orion men who drop in from M 42, will assume an amphibian form, the fabled Dagon-Oannes, human male with a fish head, due to parachuting on their acca-cords into the oceanic regions rather than on dry land.
Land plants appear in the late Ordovician, thought to be divided from the Silurian-Devionan sequence by a mass extinction. Sophia uses extinctions to sort out the biological programs she prefers to carry ahead into future organization of the biosphere as an integrated system, all parts complementary. Like an artist saving some drafts of her work, discarding others. Extinction, followed by reanimation, is her selection technique -- by another name, "spontaneous generation." Coming forward in time, as she is able to access every single and discrete process in nature more intimately and effectively, she gains enough control of the experiment to apply extinction at the end of a Kalpa, one Aeonic day. This is only possible for her, however, when she is autonomously enabled (by pronoia, or precognized intention) to actually sense what time it is!
In correction currently underway, Sophia reaches a high level of temporal management due to the support of Thelete (* ahead, in FGS 4.0), and thus can coordinate her timing with human animals who follow what she is doing on the conversion of 108 human days :: 1 Aeonic econd. The Mahavidya with a range of specific instructions for humanity concerning optimal temporal attunement with correction -- synchronizatin of human and Aeonic time -- is Chinnamasta (noted April 2013 during the Chinnamasta shift - JLL. More in an upcoming Nav briefing, Chinnamasta's Glory).
Episode 8 discloses adaptations planet-wide evolutionary programs derived from the Christic Intercession. Vascular plants (mid-Silurian, 410 MYA), then gymnosperms (late Devonian, around 380 MYA), and the first reptiles, including Gaian snake-women, emerge in the eonic progression.
"From her hair-bearing pores came beauteous denizens of the tree-realm, glamorous arboreal nymphs, the dryads. For eons they were indistinguishable from the trees in which they lived: dryads changed trees as women change wardrobes, but eventually there were hybrids, nymphs who became attached to a single species of tree, like the laurel, cypress, and juniper."
By the current account, another mass extinction (selection, sorting out evolutionary options) occurs around 250 MYA, commencing the Mesozoic Era. Immediately after this moment come the ancestral mammals, cynodonts, followed by a lumbering troupe of dinosaurs, plus Snow White and the Seven Dwarfs. So when in this immense perspective did the chthonian romance begin?
I can only venture a guess, not so far substantiated by fresh and recent practices in shamanic trance allowing access to phylogenetic memory banks... Let's imagine tentatively that the O-Men in fully developed but streamlined human anatomy (Cycladian sculpture), living alongside arboreal women of the Artemis-type, hunted together during the epoch when dinosaurs roamed this earth. Boy meets Girl, then, rather recently in the Sophianic plot-line -- a mere 250 million years ago. That would the moment of the first fateful clinch of human genders, 200 million years before the first primates are thought to have appeared, around 50 MYA in the Cenozoic Era. In Gaia's own lifespan, the encounter occurs just when she reaches the threshold of puberty, marked by the appearance of flowering plants, the angiosperms, simultaneously with large placental animals, in the Cretaceous. Good gracious, it's the Cretaceous. Time to get laid.
Erasmus Darwin, who saw the fumdamental schema of evolution in the erotic spectacle of the propogation of flowering planets, was certainly on to that moment in the narrative. I highly recommend the book by Desmond King-Hele, entertaining and really, really mind-blowing when it comes to show how ED viewed evolution as an erotic-esthetic event, an orgy. What a contrast from this sceario to his grandson's alleged "survival of the fittest" paradigm. Is nature really "red in tooth and nail," or dripping with erotic juices? Make your choice.
"It has been said of Erasmus Darwin (1731-1802) that no one from his day to ours has ever rivalled him in his achievements in such a wide range of fields. He was a far-sighted scientific genius, fertile in theory and invention, and one of the foremost physicians of his time. His gift for friendship enabled him to recruit the members of the Lunar Society of Birmingham which is often seen as the main intellectual powerhouse of the Industrial Revolution in England. He was especially close to Franklin, Wedgwood, Boulton and Watt. Towards the end of his life he gained recognition as the leading English poet in the country, and he deeply influenced Blake, Wordsworth, Coleridge and Shelley. The most striking of Darwin's many talents was his extraordinary scientific insight in physics, chemistry, geology, meteorology and all aspects of biology -- his deepest insight being his evolutionary theory of life. Two of his books, the Zoonomia, which made him famous as the leading medical mind of the 1790s, and The Temple of Nature, a long poem, show that he believed life developed from microscopic specks in primeval seas through fishes and amphibians to 'humankind'. But he failed to convince the world about biological evolution: that was left to his grandson Charles. Erasmus was the first person to give a full description of how clouds form and of photosynthesis in plants..." From the Amazon.com review.
The Mythohistorical Graft
Consistent with this linear sequence, Episode 7 would run right up to our time, well into history, but it would perhaps be more instructive to set a boundary, rather like this:
Coming forward from 250 MYA, dating the first encounter of the O-Man and the arboreal nymphs, Episode 7 transpires through prehistory into the measurable sequence of Kalpas elapsed so far in this experiment, and down to an historical moment in this Kalpa when the experiment slipped into dystropic feedback, precipitating the world-wide crisis that would ultimately awaken the Earth Goddess in a nightmare, compelling her to undertake correction -- that is to say, to initiate her own intercession, the tulpa of Kalki-Kali. I place that crucial moment at 14,500 BCE when the vernal point stood at the fulcrum of the SCALES. The subsequent moment when the dystropic shift of 14,500 BC begins to demonstrate drastic and long-term destructive consequences in human society would be indicated when the vernal point reached the horns of the BULL, coming from the TWINS: 4400 BCE, very close to the Sothic Cycle date of 4421 BCE encoded in the Dendera Zodiac.
Note that the initial set-up for correction concludes with saturn at the fulcrum of the SCALES. Note also that the breakaway moment in correction, when it begins to exhibit distinct global effects erupting into currrent events from the social unconscious of humanity ("the return of the repressed"), occurs in concurrence with astronomical events near the tips of the horns of the BULL: location of the VP in 4400 BCE.
So, what a perspective! Episode 7 covers the cosmogonic arc of Sophia's plunge down to the dawn of her materialization (4320 billion years ago), and then forward to the events leading to the Cambrian Explosion around 585 MYA on the currently accepted scale of geological time. Episode 8 then covers events from the Explosion down into the first part of the present Kalpa which began around 24,000 BCE.
There is the mythohistorical gradient, a grafting of the myth onto a geological and historical timeline.To summarize:
Episode 9: Sophia's Correction
JLL: April 2013 Andalucia
Material by John Lash and Lydia Dzumardjin: Copyright 2002 - 2017 by John Lash.